The story of Polaroid is fascinating and instructive on many levels – industrially, technologically, artistically, economically, culturally and socially. In its heyday Polaroid was loved by millions of amateurs and embraced by countless professionals. Families recorded their lives; fashion and portrait photographers made tests with it; scientists used it for notes and records; while artists found it to be an exceptionally malleable and expressive medium.
Photographers of The New York Times
In this exhibition are photographs that may remain in your mind for a long time. The photojournalists of the New York Times, who made these images, are among the finest ever to have practiced this profession. Their work is marked by artistry, intelligence, and perseverance. They sometimes risk everything to make their images because they are devoted to the people and their stories. As photojournalists they are compelled to be witnesses and report what they have seen so that you and I will stop our comfortable daily routines for a moment and recognize that our own humanity hangs by a thread; and that through awareness and understanding we can reinforce that thread.
William Wegman is a world-renowned and pioneering multi-media artist: conceptualist, painter, performance artist, videographer and photographer. A major and long-lasting body of his work has centered on photographs of his Weimaraners—Man Ray, Fay Ray, their descendants and relatives. These patient and willing subjects have made their way into Wegman’s exhibitions and books over the years, yet until now, his rich archive has never been explored in depth. This exhibition features 100 of the finest works drawn from the entire oeuvre, chosen in close collaboration with the artist himself. More than one-half are being exhibited for the first time.
ChangingNature: A New Vision
Photographs by James Balog
For four decades James Balog has studied ancient cultural assumptions about the relationship between human nature and the rest of nature. Through innovative imagery, his projects interpret significant aspects of what has changed, what’s survived, and what changes are projected for the future. His photographs and films reveal nature’s dazzling beauty as well as its capacity for destruction. Conversely, as a scientist and an artist, he documents humanity’s actions that are interrupting nature’s traditional patterns and properties to the detriment of both humans and nature. Each of his projects connects to previous as well as subsequent investigations to knit an increasingly whole view of the people versus nature interface.
Vik Muniz, one of the world’s most important, celebrated and prolific contemporary artists, takes as his primary interest that space between the subjects of his photographs and the materials used to construct them. His subjects are often classic paintings and photographs that are already well-known to an audience. But his translations of those images employ a broad assortment of non-traditional materials: chocolate, dust, sugar, tomato sauce, dirt, wire, trash and anonymous family snapshots, and more recently individual grains of sand and bacterial microorganisms.
And the Photobook
For many photographers, photobooks are a primary means of—and catalyst for— realizing a body of work and presenting it to the world. Few have demonstrated this with more vitality and dedication than Lee Friedlander, whose first monograph, Self Portrait (1970), launched an extraordinary succession of activity that stands as a monumental achievement in the field of photographic publishing, and that continues unabated. By the end of 2017, Friedlander will have published approximately 50 photobooks, each as distinct and remarkable as its subject. Autonomously edited, collaboratively produced, and always image-driven, these volumes embody the intention, character, and cumulative effect of his vast oeuvre more immediately and accessibly than his exhibitions or singular, handmade prints—leading the photographer himself to call them his true medium.
A Century of Photography at Condé Nast
Steichen, Beaton, Newton, Bailey and Penn are famous today for their superb, often audacious, fashion photographs. Coming into Fashion features the work of more than eighty fashion photographers who, over the past 100 years, have risen to prominence at the legendary publisher of Vogue. But how did they first burst onto the scene? This original exhibition answers this intriguing question, focusing on the work they produced at the outset of their careers.
CivilizationThe Way We Live Now
We hurtle together into the future at ever-increasing speed – or so it seems to the collective psyche. The vast works we engineer, the grand buildings we erect, the complex wars we wage, the dazzling spectacles we create, the ingenious products we invent, the intricate machines we construct, the wonders we discover at the edge of time and space, the miracle fibres and the life-extending drugs we concoct – every day and every hour human civilization expands, evolves and mutates. Our bodies are rebuilt and resurfaced. We manipulate our genes. Our machines begin to walk, talk and think but the ingenious tools we devise can also backfire...
Arnold Newman is arguably the finest portrait photographer of his time, and without a doubt the most prolific. For half a century he photographed accomplished artists, writers, scientists and politicians. Despite many exhibitions during his lifetime, a substantial number of his superb portraits have never been shown. This first posthumous retrospective not only features many of these unknown works, along with his most iconic portraits.
The Poetics of the Invisible
A master of vision and a thinking eye, the photographic oeuvre of Manuel Alvarez Bravo spanning over a period of eight decades could be summarized in three words: Dreams – Visions – Metaphors.
This is the first European museum retrospective of this American artist's critically acclaimed work, which questions identity and memory, gender and history, fact and fiction. Spanning a period of thirty years, it reveals a continuity of conceptual and performative exploration. Simpson's photo-text work, together with her film and video installations, incorporate yet simultaneously challenge photographic and moving picture genres.
An independent non-profit organization, FEP produces unique and influential museum-quality photography exhibitions, and circulates them around the world.
Hard Truths: our New York Times Exhibition previews in London
Posted on 03/06/2018
Posted on 08/10/2017Polaroid Project listed by artnet News as one of 19 travel-worthy exhibitions around the globe this season.Posted on 06/06/2017Posted on 02/06/2017Posted on 02/02/2017Posted on 12/21/2016
Hard Truths: our New York Times Exhibition previews in London